Rediscovering Lost Works Through Multispectral Imaging.

By Lillian Watson | Published on  

On January 26, 2013, a group of al-Qaeda militants set fire to the ancient city of Timbuktu’s medieval library of 30,000 manuscripts. This library contained a collection of manuscripts written in Arabic and African languages, covering a wide range of subjects from astronomy to medicine, and was considered the voice of Africa, a continent that was thought to have no voice at all. The loss of this invaluable library was a crime against world cultural heritage, a tragedy that left scholars and historians stunned.

As I recall the event, it’s impossible not to feel the pain and sadness of losing such a significant piece of history. The mayor of Bamako, who witnessed the burning of the manuscripts, called it “a crime against world cultural heritage,” and he was right. But there’s more to the story than meets the eye.

As I delved deeper into the incident, I learned that just before the militants attacked, African scholars had collected a random assortment of old books and left them out for the terrorists to burn. They had already hidden the valuable manuscripts, which were eventually retrieved and are now moldering in high humidity in Bamako, Mali’s capital. The manuscripts, which were rescued by ruse, are now once again in jeopardy, this time due to climate.

The burning of the Timbuktu library was not an isolated incident. Several years ago, I conducted a survey of European research libraries and discovered that at the barest minimum, there are 60,000 manuscripts pre-1500 that are illegible due to water damage, fading, mold, and chemical reagents. The real number is likely double that, and that doesn’t even count Renaissance manuscripts, modern manuscripts, and cultural heritage objects such as maps.

The burning of the Timbuktu library serves as a stark reminder of how easily we can lose valuable historical artifacts. We must do everything in our power to protect and preserve these treasures for future generations to come.

Multispectral imaging technology has transformed the way we can recover and discover lost works of literature, history, philosophy, music, and other cultural artifacts. The idea behind multispectral imaging is that what we can see in the visible spectrum of light is only a tiny fraction of what’s actually there. Our system uses 12 wavelengths of light between the ultraviolet and the infrared, which are shone down onto the manuscript from above from banks of LEDs and another multispectral light source which comes up through the individual leaves of the manuscript.

Once we capture these images, we feed them through statistical algorithms to further enhance and clarify them, using software which was originally designed for satellite images and used by people like geospatial scientists and the CIA. The results can be spectacular.

With multispectral imaging, we can recover lost texts, and more subtly, we can recover a second story behind every object - the story of how, when, and by whom a text was created, and sometimes, what the author was thinking at the time they wrote it. This technology can also enable us to make discoveries that rewrite our cultural identities, building new bridges between people and culture.

However, having a lab that can travel to collections where it’s needed is only part of the solution. The technology is expensive and rare, and the imaging and image processing skills are esoteric. That means that mounting recoveries is beyond the reach of most researchers and all but the wealthiest institutions.

That’s why initiatives like the Lazarus Project were founded, which aim to bring multispectral imaging to individual researchers and smaller institutions at little or no cost whatsoever. The Lazarus Project has travelled to seven different countries over the past five years, recovering some of the world’s most valuable damaged manuscripts, including the Vercelli Book, which is the oldest book of English, the Black Book of Carmarthen, the oldest book of Welsh, and some of the most valuable earliest Gospels located in what is now the former Soviet Georgia.

In conclusion, multispectral imaging has opened up a whole new world of possibilities for discovering and preserving lost works of cultural heritage. By using this technology, we can take a closer look at our past, learn about our cultural origins, and potentially reshape our understanding of history.

The recovery of lost and damaged manuscripts is a monumental task, requiring expensive and rare technology, as well as esoteric imaging and image processing skills. As a result, mounting recoveries is beyond the reach of most researchers and smaller institutions, who don’t have the resources or means to acquire this kind of equipment.

That’s why the Lazarus Project was founded, as a not-for-profit initiative to bring multispectral imaging to individual researchers and smaller institutions at little or no cost whatsoever. The project’s team of imaging scientists, scholars, and students have travelled to different countries over the past five years and have recovered some of the world’s most valuable damaged manuscripts, including the Vercelli Book (the oldest book of English), the Black Book of Carmarthen (the oldest book of Welsh), and some of the most valuable earliest Gospels located in what is now the former Soviet Georgia.

The Lazarus Project has made it possible to recover these texts and give them a second life, as well as reveal a second story behind every object. By using multispectral imaging, we are able to witness the mistakes, changes of mind, naivete, and uncensored thoughts of the authors that allow these hallowed objects to become more real and make history closer to us.

This technology is also not limited to manuscripts. It can be used to recover and preserve other cultural heritage objects, such as maps, which can provide invaluable insights into the world as it was once known. The Lazarus Project is committed to continuing their work and making this technology more accessible to those who need it, preserving our cultural heritage for future generations.

Multispectral imaging technology is not only capable of restoring the original condition of a manuscript that has been damaged by time, fire, water, and other factors, but it also has the power to reveal the hidden stories behind these precious texts. With 12 wavelengths of light between ultraviolet and infrared, multispectral imaging can capture and enhance images of old manuscripts that are invisible to the naked eye.

This advanced technology can reveal not only the text but also the mistakes, changes of mind, and the uncensored thoughts of the authors. For instance, multispectral imaging of Thomas Jefferson’s original draft of the Declaration of Independence revealed that the word “subjects” was originally written and then scratched out and overwritten with the word “citizens.” This discovery sheds new light on the evolution of American democracy.

Multispectral imaging also has the potential to reveal unknown literary classics and to rewrite the canons of literature, history, philosophy, and music. By recovering lost texts and revealing hidden stories, this technology can bridge cultural gaps and bring us closer to our shared human history.

However, the technology required for multispectral imaging is expensive and rare, and the skills needed to operate it are esoteric. That is why initiatives like the Lazarus Project, a not-for-profit organization that brings multispectral imaging to individual researchers and smaller institutions at little or no cost, are essential for preserving our cultural heritage.

Through the application of multispectral imaging technology, we can recover lost texts and explore the second story behind every object, the story of how, when, and by whom a text was created. This technology allows us to witness the imperfections of the human imagination that make these objects and their authors more real and make history closer to us.

The story behind Thomas Jefferson’s draft of the Declaration of Independence

The Declaration of Independence is one of the most important documents in American history, and Thomas Jefferson’s draft is an essential piece of that story. Jefferson was a gifted writer and thinker, and he was tasked with writing the declaration by the Continental Congress in 1776.

Jefferson drew on many sources for inspiration, including Enlightenment philosophy, British political theory, and the colonial experience in America. He crafted a powerful argument for independence, highlighting the rights of individuals and the need for representative government.

However, the draft went through several revisions before it was finalized and signed. Other members of the Continental Congress, including Benjamin Franklin and John Adams, made significant contributions to the document, and some of Jefferson’s original language was changed or removed.

The final version of the Declaration of Independence was approved on July 4, 1776, and it has become an enduring symbol of American democracy and freedom. Jefferson’s draft is a fascinating look at the evolution of American political thought and the complex process of crafting a foundational document for a new nation.

The Martellus Map, created by the German cartographer Henricus Martellus in the 15th century, is a significant artifact that sheds light on the way Europeans viewed the world at that time. The map, which is now part of the Yale University Library collection, includes depictions of Asia, Africa, and Europe.

One of the most interesting aspects of the map is the way it portrays Asia. Martellus’s depiction of Asia is significant because it influenced Christopher Columbus’s understanding of the continent. Columbus believed that he could reach Asia by sailing west from Europe, and this idea was based in part on his interpretation of the Martellus Map.

The map shows Asia as much larger than it actually is, and it also includes a large island that Martellus called “Cipangu.” Columbus believed that Cipangu was Japan and that it was located only a few thousand miles west of the Canary Islands. This, combined with the map’s depiction of Asia, led Columbus to believe that he could reach Asia by sailing west.

The Martellus Map, therefore, played a crucial role in shaping Columbus’s ideas about the world and in motivating his journey westward. It is also an important artifact for understanding how Europeans viewed the world in the 15th century and how they conceptualized distant lands and cultures.

Textual science is a relatively new field that combines traditional skills and new techniques to preserve and restore historical documents. This field is essential in the preservation of our cultural heritage, as it allows us to recover and study documents that might have been lost to time or destroyed by natural disasters, wars, or human negligence.

Traditionally, restoring historical documents involves using chemical treatments or mechanical processes to remove dirt, stains, or other types of damage. However, these methods can be harmful to the documents and can even cause further damage. Textual science takes a different approach by using multispectral imaging and other digital techniques to capture images of the documents at different wavelengths. These images can then be analyzed and enhanced to reveal hidden features that might have been invisible to the naked eye.

Multispectral imaging can also be used to detect forgeries and identify alterations made to the original document. This is crucial in cases where the authenticity of the document is in question, such as when dealing with historical artifacts that might have been tampered with or counterfeit documents.

Textual science is a field that requires a unique blend of traditional skills, such as calligraphy and bookbinding, and modern techniques, such as digital imaging and data analysis. It is an interdisciplinary field that involves experts in art, history, conservation, and computer science, among others.

In conclusion, textual science is a vital field that helps preserve our cultural heritage and allows us to learn from the past. By combining traditional skills and new techniques, we can recover lost documents, identify forgeries, and gain a deeper understanding of our history. It is a field that is constantly evolving, and we can only imagine what new discoveries and innovations it will bring in the future.

Rediscovering lost works is a fascinating endeavor that allows us to glimpse into the past and learn about the thoughts and ideas of our ancestors. Thanks to advancements in technology, we can now use multispectral imaging to reveal hidden texts, restore damaged manuscripts, and reveal the secrets of ancient artifacts.

For those interested in becoming a scholar of the past, the field of textual science offers a unique opportunity to combine traditional skills with new techniques. This field requires a deep understanding of language, history, and the cultural context of the time in which a work was produced. It also demands an aptitude for technology, as scholars must be able to use digital tools to analyze and preserve manuscripts.

The future of the past is bright, with new discoveries and breakthroughs constantly emerging. As we continue to explore the secrets of lost works, we will gain a deeper understanding of our own history and culture. Whether you are a scholar, a history buff, or simply interested in the mysteries of the past, there is much to be discovered and appreciated through the rediscovery of lost works.

The preservation and rediscovery of lost works is a crucial aspect of our cultural heritage. Thanks to new technologies and a collaboration between traditional skills and new techniques, we are able to reveal hidden stories and gain a deeper understanding of our past. Multispectral imaging has proven to be an invaluable tool in recovering lost texts, and the continued development and accessibility of this technology will undoubtedly lead to even more discoveries in the future.

It’s important that we continue to support the preservation of our cultural heritage, whether it be through funding for institutions and research, or by simply spreading awareness and appreciation for the importance of these works. Rediscovering lost works not only adds to our knowledge and understanding of history, but it also allows us to honor the voices and stories that may have been lost to time.

As we move forward, we must also consider the ethical implications of these discoveries and ensure that the proper respect and recognition is given to the communities and cultures from which these works originate. By working together and hugging both traditional skills and new technologies, we can continue to unlock the secrets of the past and preserve our cultural heritage for future generations.